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Volume 3, No. 2Volume 3, Issue 2

Published December 1, 2023

Issue description

This issue features a single research article that contributes to the study of African theatre and contemporary film culture. In this article, Shola Balogun examines the relationship between traditional Yorùbá theatre practices and the development of Nollywood. The study explores how elements of performance, storytelling, and cultural expression rooted in Yorùbá theatrical traditions have influenced the aesthetics and narrative structures of Nigeria’s modern film industry. By tracing these continuities, the article highlights the dynamic interaction between indigenous performance traditions and contemporary media production, offering insight into the cultural foundations of Nollywood and its broader significance within African performance studies.

Articles

  1. Yorùbá Theatre Practice and Nollywood

    Yorùbá theatre practice has an extensive background which is
    deeply entrenched in the Yorùbá people's traditional approach to
    ritual and entertainment. The development of theatre in
    Yorùbáland from travelling actors to the contemporaneous
    practice of the culture in the film medium is an intriguing phase
    of maturity of the Yorùbá theatrical tradition. Nollywood has
    made the whole world a stage for Yorùbá theatre. By extending
    the performance space beyond the physical stage of the
    auditorium, Nollywood is what may be considered the current
    and future of Yorùbá theatre. The demand for relevance and a
    focus on the interests of today's audience all play a significant
    part in the shift of Yorùbá theatre from stage to film medium.
    Nollywood has helped Yorùbá theatre practice by preserving
    Yorùbá stories for widespread popular acceptability and global
    attention. Yorùbá theatre is an exposition of Yorùbá tradition and
    culture, thus it might be helpful to understand the worldviews
    held by the people who created it in order to better appreciate
    how it is practiced today, as well as the contributing factors that
    shape how the practice of this theatre is showcased in what is
    now known as Nollywood. This paper aims to point out how
    significant it is to understand the theatre that was developed in
    Yorùbáland and how the culture comes across in the film
    adaptations of Akínwùmí Ìṣọ̀ lá's Ṣaworoidẹ and Ẹfúnṣetán Aníwúrà.