This paper analyzes the musical Hadestown, which reinterprets
ancient Greek myth for a modern audience. The narrative
juxtaposes the relationship between deities Hades and Persephone
with the struggles of Orpheus and Eurydice, illustrating themes of
exploitation and social inequality. This paper looks at the
standards of masculinity and femininity that are forced upon
people, and how these strict roles harm everyone. This paper
argues that Hades’ control over Persephone and the labor force
mirrors patriarchal and capitalist dynamics, where women and
workers are commodified. Ultimately, it suggests Hadestown is a
cautionary tale about reformist approaches within oppressive
systems, advocating for revolutionary change. A Marxian analysis
is used alongside contemporary feminist thought to explore these
dynamics.