Volume 1, Issue 1 [Click on the content you want to access, please.] Front Matter Research Articles Racial Discrimination, Exploitation, and Singing The Blues in August Wilson’s Ma Rainey’s Black Bottom by Eric Sterling  The Metaphysics of Pronoun Confusion in Edward Albee’s Who’s Afraid Of Virginia Woolf? by Jay Malacher  Violence as Resistance in N.K. Jemisin’s Broken Earth Trilogy by Ashley Liza Fernando  Breaking the Cycle: The Forgiving Blues in August Wilson’s King Hedley II by J. Christopher O’Brien  Limits to The Self: Revisiting The Jewish Wandering Syndrome in Eshkol Nevo’s Neuland by Neha Soman & Balasubramaniam Padmanabhan  Class Conflict with its Causes & Effects in The Kitchen by Arnold Wesker by Elvan Karaman  Performing Democratic Protest: Gary Owen’s Iphigenia in Splott and David Greig’s The Suppliant Women by Philip Zapkin  Travelogues as Memorized Experiences: From Boswell to Boorman/McGregor by Eva Oppermann  Awkward one-armed babas: Ūrdhvabāhu Hindu Ascetics in Western Imagination by Ayusman Chakraborty  Review Articles Sensory Experiments; Psychophysics, Race, And The Aesthetics Of Feeling, By Erica Fretwell. Duke University Press, 2020, 336 Pp., $29,00 (Hardback), ISBN: 1478010932. by Marietta Kosma  Full-text Issue